Looking for the old site? Visit the legacy site

Master the Craft

Immersive, hands-on learning sessions led by theatre professionals. From the spotlight to the shadows, refine every aspect of your theatrical artistry.

Kathleen Duborg
Kathleen Duborg

Acting for Film

A fun, high-energy workshop introduces students to acting for the camera through games, creative exercises, and scene work. Students explore how to express emotions naturally, build confidence, and react authentically in front of the camera. The session includes warm-ups, practical acting tips, and a hands-on filming activity where students experience self taping and auditioning. You are asked to bring your curiosity and a willingness to try. The focus is on creativity, collaboration, and discovering the fundamentals of on-camera acting.

About the Leader
Kathleen is an award-winning actor and director working in film, television, theatre, voice-over and script development throughout the country. She created and produced ReelFast: The 48 Hour Movie Making Festival and The Cold Reading Series which endeavoured to connect writers and actors of the film and theatre communities. A long and varied acting career of stage and screen includes Happy Face (CBS/Paramount), Watson (Paramount +) and recently wrapping Percy Jackson and the Olympians (Disney). She is a respected teacher and coach, presently an adjunct professor of acting and directing at the University of British Columbia, senior acting instructor at Railtown Acting Studios, associate instructor at Douglas College and leads film acting classes and workshops. Recent directing credits include: Network, The 39 Steps, The Paper Bag Princess, An Iliad, The Moors, Jerusalem, The Beauty Queen of Leenane, Tales From Ovid, Concord Floral, The Beaux’ Stratagem, The Seagull, and Mrs. Singh and Me.
Kathleen Duborg

Acting for Film

Kathleen is an award-winning actor and director working in film, television, theatre, voice-over and script development throughout the country. She created and produced ReelFast: The 48 Hour Movie Making Festival and The Cold Reading Series which endeavoured to connect writers and actors of the film and theatre communities. A long and varied acting career of stage and screen includes Happy Face (CBS/Paramount), Watson (Paramount +) and recently wrapping Percy Jackson and the Olympians (Disney). She is a respected teacher and coach, presently an adjunct professor of acting and directing at the University of British Columbia, senior acting instructor at Railtown Acting Studios, associate instructor at Douglas College and leads film acting classes and workshops. Recent directing credits include: Network, The 39 Steps, The Paper Bag Princess, An Iliad, The Moors, Jerusalem, The Beauty Queen of Leenane, Tales From Ovid, Concord Floral, The Beaux’ Stratagem, The Seagull, and Mrs. Singh and Me.

What to Bring

Wear comfortable clothing and bring a note pad and pen.

Students Teachers
Caroline Alarie
Caroline Alarie

Arrr! Come and make a fun pirate prop!

We will explore props making in a pirate way!

About the Leader
Caro is a DIY expert born and raised in Montreal and earned diplomas in Fine Arts and Stage Craft from College Lionel-Groulx in Québec. She also enjoyed a long career as an animator for popular children's tv series after receiving her diploma in 3D animation from Vancouver Film School. She loves inventing, making, building props and miniature world. Stop motion animation is where she finds all these elements married together.
Caroline Alarie

Arrr! Come and make a fun pirate prop!

Caro is a DIY expert born and raised in Montreal and earned diplomas in Fine Arts and Stage Craft from College Lionel-Groulx in Québec. She also enjoyed a long career as an animator for popular children's tv series after receiving her diploma in 3D animation from Vancouver Film School. She loves inventing, making, building props and miniature world. Stop motion animation is where she finds all these elements married together.

What to Bring

Wear comfortable clothing and bring a note pad and pen.

Students Teachers
Linnea Perry
Linnea Perry

Diverse Dramaturgical History

It’s a tough challenge that’s rarely spoken about out loud: how do we engage with theatre history during the creation process when that history isn’t always easy to talk about? This workshop provides an overview of the history of diversity within Canada’s professional theatre scene and offers an introductory framework for diverse theatre creation. Through this presentation, we will explore the history of Black North American theatre, examine how history can shape the creative process, and introduce a framework for the safe creation of devised theatre when the work requires an understanding of diversity. This workshop can serve as a first building block toward making our theatre spaces safer and more inclusive for everyone.

About the Leader
Linnea is a Black–Mixed race interdisciplinary artist whose passion for the arts began the moment she could hold a pencil. Since then, she has never stopped creating, building a career that spans stage management, lighting design, and artistic administration. A 2018 graduate of Simon Fraser University’s School for the Contemporary Arts (BFA in Production and Design), she focused her studies on contemporary adaptations of Greek theatre. After graduating, Linnea apprenticed at Pacific Theatre while working as a professional stage manager. In December 2020, she became Pacific Theatre’s Company Manager, where she produced mainstage seasons, developed outreach programming, and deepened her leadership skills. She received a Professional Development Grant from the BC Arts Council to train in Nonviolent Communication and Leadership with The Thoughtful Workplace, and she began consulting in anti-oppressive policy creation and implementation. In July 2023, Linnea joined Presentation House Theatre as Development Associate, focusing on fundraising, grant writing, and educational outreach. She now serves as Operations Manager. Linnea has a wide knowledge of the theatre sector, from both the creative side and the administration side. Her greatest joy has been sharing this with the next generation of theatre makers, dancers and artists.
Linnea Perry

Diverse Dramaturgical History

Linnea is a Black–Mixed race interdisciplinary artist whose passion for the arts began the moment she could hold a pencil. Since then, she has never stopped creating, building a career that spans stage management, lighting design, and artistic administration. A 2018 graduate of Simon Fraser University’s School for the Contemporary Arts (BFA in Production and Design), she focused her studies on contemporary adaptations of Greek theatre. After graduating, Linnea apprenticed at Pacific Theatre while working as a professional stage manager. In December 2020, she became Pacific Theatre’s Company Manager, where she produced mainstage seasons, developed outreach programming, and deepened her leadership skills. She received a Professional Development Grant from the BC Arts Council to train in Nonviolent Communication and Leadership with The Thoughtful Workplace, and she began consulting in anti-oppressive policy creation and implementation. In July 2023, Linnea joined Presentation House Theatre as Development Associate, focusing on fundraising, grant writing, and educational outreach. She now serves as Operations Manager. Linnea has a wide knowledge of the theatre sector, from both the creative side and the administration side. Her greatest joy has been sharing this with the next generation of theatre makers, dancers and artists.

What to Bring

Wear comfortable clothing and bring a note pad and pen.

Students Teachers
Robinson Wilson
Robinson Wilson

En Garde! Running with Rapiers!

An introduction to the exciting and dramatic art of swordplay onstage, with the focus on safety and technique. Students will learn cuts, thrusts, parries, and lunges with the rapier, and methods and practices of choreography and safe rehearsal. No student will lose even one single eyeball. Not one!

About the Leader
Robinson is an award winning theatre educator with 30 years experience in stage combat. He has taught and choreographed stage combat in Canada, Norway, Iceland, Sweden, and Denmark.
Robinson Wilson

En Garde! Running with Rapiers!

Robinson is an award winning theatre educator with 30 years experience in stage combat. He has taught and choreographed stage combat in Canada, Norway, Iceland, Sweden, and Denmark.

What to Bring

Wear comfortable clothing, bring a note pad and pen.

Students Teachers
Stephen Atkins
Stephen Atkins

Living the Circumstances with Crosspoints

This workshop introduces actors to a direct, experience-based approach to performance that begins without preparation. Known as Crosspoints, this approach allows participants to start working deeply with no text work completed and no expectation of outcome. The session opens with a guided visualization that places the actor in a simple, sensory-rich environment, allowing attention to settle and expand. From there, the focus shifts to presence: how the actor listens, receives, and registers their perception in real time, rather than generating them in advance. A key phase involves “going and staying,” an improvised performance where actors step out of habitual patterns and return with a changed point of attention. This sharpens awareness of space, partner, and internal state. Only in the final section is minimal script material introduced. The text is treated lightly, as a catalyst rather than a target, allowing behavior to emerge from the conditions already established. The aim is work that feels immediate, responsive, and grounded in shared attention.

About the Leader
Stephen Atkins, PhD, is an actor, director, and educator whose work spans multiple universities, studios and conservatory settings across Canada, China, the UK, and Australia. His practice brings together actor training, performance research, and intercultural collaboration, with a focus on how different traditions can speak to one another without collapsing into a single method. In Australia, he served as Associate Director with Zen Zen Zo Physical Theatre, contributing to projects that combined rigorous and fun physical training with a strong youth theatre focus. This work shaped his interest in developing training environments that balance discipline with creative agency, particularly for emerging artists. His broader career includes international workshops, directing projects, and publications that explore contemporary approaches to acting, rehearsal, and ensemble creation.
Stephen Atkins

Living the Circumstances with Crosspoints

Stephen Atkins, PhD, is an actor, director, and educator whose work spans multiple universities, studios and conservatory settings across Canada, China, the UK, and Australia. His practice brings together actor training, performance research, and intercultural collaboration, with a focus on how different traditions can speak to one another without collapsing into a single method. In Australia, he served as Associate Director with Zen Zen Zo Physical Theatre, contributing to projects that combined rigorous and fun physical training with a strong youth theatre focus. This work shaped his interest in developing training environments that balance discipline with creative agency, particularly for emerging artists. His broader career includes international workshops, directing projects, and publications that explore contemporary approaches to acting, rehearsal, and ensemble creation.

Visit Website
What to Bring

Wear comfortable clothing and bring a note pad and pen.

Visit Portfolio
Students Teachers
Keri Minty
Keri Minty

Moving Stories

What are different approaches we can use to build strong, clear and interesting characters with our whole body? Open to all skill levels and abilities.

About the Leader
Keri Minty is a versatile director/choreographer/movement director and dance educator. Certified in University Teaching and Learning, she has taught at Capilano University as a dance and movement instructor for the theatre programs for the last 20 years with a current focus on assessments and evaluations for dance and theatre. Minty is also active in theatre and dance communities as a performer, creative and board member of arts organizations. Choreographer/Movement Director highlights: Charlie and the Chocolate Factory, Oliver!, Joseph… (Theatre Under the Stars), A New Brain* (Pipedream), SpongeBob, Carrie, Anne of Green Gables*, Cabaret, Secret Garden, Hello Dolly, Weasel (Cap U Theatre) and Arts Club’s Red Rock Diner (assistant director/choreographer). *Winner of Ovation Awards for Best Choreography.
Keri Minty

Moving Stories

Keri Minty is a versatile director/choreographer/movement director and dance educator. Certified in University Teaching and Learning, she has taught at Capilano University as a dance and movement instructor for the theatre programs for the last 20 years with a current focus on assessments and evaluations for dance and theatre. Minty is also active in theatre and dance communities as a performer, creative and board member of arts organizations. Choreographer/Movement Director highlights: Charlie and the Chocolate Factory, Oliver!, Joseph… (Theatre Under the Stars), A New Brain* (Pipedream), SpongeBob, Carrie, Anne of Green Gables*, Cabaret, Secret Garden, Hello Dolly, Weasel (Cap U Theatre) and Arts Club’s Red Rock Diner (assistant director/choreographer). *Winner of Ovation Awards for Best Choreography.

What to Bring

Note pad, pen and a great attitude with a willingness to play!

Students Teachers
Erika Babins
Erika Babins

Nailing the Dance Call

Have you always wanted to be in a musical but the idea of dancing makes you nervous, and the thought of having to do a dance audition makes you want to leap out of your skin? In this workshop, you will learn some tips and tricks to make your more comfortable in those scenarios. After a quick body scanning warm up, you’ll learn standard dance moves seen in auditions and show choreography, how to breakdown complicated steps, and how to bring character choices forward to create compelling performances regardless of technical level.

About the Leader
Erika Babins (They/She)is a CTC winning, Ovation nominated director, choreographer, performer, and educator originally from the traditional lands of the Haudenosaunee and Mohawk nations and currently residing and working on the traditional and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) peoples. As an Artistic Associate for Awkward Stage Productions, she directed a queer revamp of Jasper in Deadland, and choreographed the Pick-of-the-Fringe winning TITUS: The Light and Delightful Musical Comedy of Titus Andronicus, and Cry-Baby: The Musical. As a freelance choreographer and director, Erika has worked with many companies in the Lower Mainland including Play on Words Productions, First Impressions Theatre, Theatre Under the Stars, and Uncle Randy Productions Erika’s directing and choreography credits include: [title of show] (Play on Words Productions and First Impressions Theatre), Jasper in Deadland, Lift, and Cry-Baby (Awkward Stage Productions), The It Girl (DNP), The Drowsy Chaperone, Hadestown: Teen Edition, Cinderella, Godspell, Oklahoma!, and Tuck Everlasting (Arts Umbrella).
Erika Babins

Nailing the Dance Call

Erika Babins (They/She)is a CTC winning, Ovation nominated director, choreographer, performer, and educator originally from the traditional lands of the Haudenosaunee and Mohawk nations and currently residing and working on the traditional and unceded lands of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) peoples. As an Artistic Associate for Awkward Stage Productions, she directed a queer revamp of Jasper in Deadland, and choreographed the Pick-of-the-Fringe winning TITUS: The Light and Delightful Musical Comedy of Titus Andronicus, and Cry-Baby: The Musical. As a freelance choreographer and director, Erika has worked with many companies in the Lower Mainland including Play on Words Productions, First Impressions Theatre, Theatre Under the Stars, and Uncle Randy Productions Erika’s directing and choreography credits include: [title of show] (Play on Words Productions and First Impressions Theatre), Jasper in Deadland, Lift, and Cry-Baby (Awkward Stage Productions), The It Girl (DNP), The Drowsy Chaperone, Hadestown: Teen Edition, Cinderella, Godspell, Oklahoma!, and Tuck Everlasting (Arts Umbrella).

Visit Website
What to Bring

Wear comfortable clothing, bring a water bottle and a hair tie or other way to keep hair off the face.

Visit Portfolio
Students Teachers
Daemon Cadman
Daemon Cadman

Pirates! Intro Stage Makeup Ideas

Dae will demo some simple and effective makeup choices for the stage. Discussing different products you can use to achieve the look.

About the Leader
Dae has been a makeup artist and educator for over 25+ years. From photography, fashion, theatre and film she brings a wealth of experience in the different mediums. From the locally made tv shows such as Last of Us, Riverdale, Supergirl, Charmed and film work Star Trek : Beyond and Antlers she brings a varied skill set from the regular makeup and makeup FX departments. (And Yes.. she was a theatre kid. )
Daemon Cadman

Pirates! Intro Stage Makeup Ideas

Dae has been a makeup artist and educator for over 25+ years. From photography, fashion, theatre and film she brings a wealth of experience in the different mediums. From the locally made tv shows such as Last of Us, Riverdale, Supergirl, Charmed and film work Star Trek : Beyond and Antlers she brings a varied skill set from the regular makeup and makeup FX departments. (And Yes.. she was a theatre kid. )

What to Bring

Lots of Questions!

Students Teachers
Kelly Phillips
Kelly Phillips

Professional Readiness

Gain helpful tricks, tips, and knowledge on how to be your best in professional technical settings. This workshop is intended for the crews of the shows going up on Fri. & Sat.

About the Leader
Kelly has been working in the entertainment industry for 23 years wearing many different hats including scenic carpentry, props, scenic painting, lighting, rigging and technical direction in theatre, film & TV, as well as many entertainment venues around Vancouver.
Kelly Phillips

Professional Readiness

Kelly has been working in the entertainment industry for 23 years wearing many different hats including scenic carpentry, props, scenic painting, lighting, rigging and technical direction in theatre, film & TV, as well as many entertainment venues around Vancouver.

What to Bring

Note pad & pen

Students Teachers
Christine Quintana
Christine Quintana

Writing a Scene: Playwriting Basics

We're told that a good scene has a beginning, middle and end - but what about everything in between? In this workshop, participants will learn how to write scenes for theatre that are packed with conflict, surprises, changes of status, and everything that might keep an audience on their toes. After analyzing an existing script excerpt and breaking down the scene techniques used in it, writers will work alone or in pairs to write a short scene of their own!

About the Leader
Born in Los Angeles to a Mexican-American father and a Dutch-British-Canadian mother, Christine is now a grateful visitor to the unceded lands of the Musqueam, Squamish, and Tsleil-Waututh people. Christine is an actor, playwright, producer and dramaturg. Winner of an LA Drama Critics' Circle Award, Dora Mavor Moore Award, Jessie Richardson Theatre Award, Tom Hendry Award, a Governor General’s Award nomination, and the Siminovitch Protégée Prize for Playwriting, Christine’s works have been translated and performed in Spanish, French, German, and ASL in over 10 cities worldwide. As a performer, she’s acted on stages big and small, in a camper van, in neighbourhoods across East Vancouver, and on a farm. Christine is a graduate of UBC’s BFA Acting Program.
Christine Quintana

Writing a Scene: Playwriting Basics

Born in Los Angeles to a Mexican-American father and a Dutch-British-Canadian mother, Christine is now a grateful visitor to the unceded lands of the Musqueam, Squamish, and Tsleil-Waututh people. Christine is an actor, playwright, producer and dramaturg. Winner of an LA Drama Critics' Circle Award, Dora Mavor Moore Award, Jessie Richardson Theatre Award, Tom Hendry Award, a Governor General’s Award nomination, and the Siminovitch Protégée Prize for Playwriting, Christine’s works have been translated and performed in Spanish, French, German, and ASL in over 10 cities worldwide. As a performer, she’s acted on stages big and small, in a camper van, in neighbourhoods across East Vancouver, and on a farm. Christine is a graduate of UBC’s BFA Acting Program.

Visit Website
What to Bring

Wear comfortable clothing and bring a note pad and pen.

Visit Portfolio
Students Teachers

Ready to Register?

Workshop registration is handled through the official BC Drama Festival portal. Ensure your school has registered for the festival first.